Del Kathryn Barton thought she was psychologically resilient enough to make a film that was informed by a traumatic experience from her own life.
She was mistaken.
The Australian artist’s debut as a film director and co-writer, Blaze, is not autobiographical, but it is informed by something that happened to Barton as a child. It tells the story of a
Five-year-old Rowan Bailey-Davies and his mum, Gillian Davies, had come well prepared. He had donned his bright astronaut suit for this very special occasion, while she had picked geraniums from their garden.
Their mission: to visit and help begin to furnish a “Martian house” that has appeared, golden and gleaming, among the sailing boats, wharf train tracks and cranes
Nestled like a red question mark in the hills of rural Japan, the Kamikatsu Zero Waste Centre is a recycling facility like no other. A chunky frame of unprocessed cedar logs from the nearby forest supports a long snaking canopy, sheltering walls made of a patchwork quilt of 700 old windows and doors, reclaimed from buildings in the village.
After a lifetime of scribbling on scrap paper, a few years ago I finally started taking drawing seriously. I was backpacking and bought a tin of crayons. I loved it instantly. I spent the rest of the trip sitting in gutters and scribbling wonky buildings; in pubs drawing malformed fellow patrons.
Many who see me
Lawrence Fox acted quickly when he found out the cows on a friend’s farm were to be sold for beef.
The 34-year-old had sought refuge on the farm in Goldsborough, half an hour south of Cairns, after feeling burnt out from his job as a business strategist – and had taken to spendings his days in the company of the
